东华大学学报(社会科学版)

“乘云绣”是马王堆汉墓出土的重要刺绣丝织品之一，其刺绣图案呈现云气缭绕、灵动飘逸的艺术特征。文章以马王堆汉墓“乘云绣”刺绣图案为研究对象，通过对一号墓和三号墓“乘云绣”进行系统整理和比对分析，从刺绣应用位置、图案题材、色彩搭配、组合构成四个维度深入探讨两者的图案特征。研究表明:三号墓“乘云绣”与一号墓“乘云绣”在图案题材与组合构成方面呈现显著相似性;在应用位置和色彩搭配方面则存在明显差异。这说明两种刺绣图案在共同的艺术文化背景、空间意识及祈福思想影响下，形成了具有共性的艺术风格;同时，受时代变迁与审美观念演变的影响，二者又各自发展出独特的图案设计特征。这种共性与个性的统一，共同构成了“乘云绣”独特的艺术特征体系。

“Chengyun embroidery” is one of the important embroidery silk fabrics unearthed from Mawangdui Han tomb. Its embroidery pattern has the artistic characteristics of cloudy and elegant. This paper takes the embroidery pattern of “Chengyun embroidery” in Mawangdui Han tomb as the research object. Through the systematic collation and comparative analysis of “Chengyun embroidery” in Tomb No.1 and Tomb No.3,the pattern characteristics of the two are discussed in depth from the four dimensions of embroidery application location,pattern theme,color matching and combination. The research shows that there is a significant similarity in the theme and composition of the pattern between the No.3 tomb “Chengyun embroidery” and the No.1 tomb “Chengyun embroidery”. There are obvious differences in application location and color matching. This shows that the two embroidery patterns have formed a common artistic style under the influence of common artistic and cultural background,spatial consciousness and blessing thought. At the same time,influenced by the changes of the times and the evolution of aesthetic concepts,the two have developed their own unique pattern design characteristics. The unity of generality and individuality constitutes the unique artistic feature system of “Chengyun embroidery”.